Susan Knabe is an associate professor in both Media Studies and Women’s Studies at the Western University in London, Ontario. Her research covers the construction of gender and sexuality in discourses of health and disease as well as the representation of gender, sexuality, race, and ethnicity in film and media. Her forthcoming book is titled Affective Traces: AIDS Cultural Production and the Legacy of the Holocaust.

Wendy Gay Pearson is an associate professor in the Department of Women's Studies and Feminist Research at Western University in London, Ontario. Her current research project involves the impact of modes of distribution on the politics and aesthetics of Indigenous film. She is co-editing a volume on the politics of representation of Indigenous girls and women.

Matthew Hays is a Montreal-based critic, author, and university and college instructor. His articles have appeared in a broad range of publications. His first book, The View from Here: Conversations with Gay and Lesbian Filmmakers (Arsenal Pulp Press), was cited by Quill & Quire as one of the best books of 2007 and won a 2008 Lambda Literary Award. He is co-editor (with Thomas Waugh) of Queer Film Classics, a series of monographs for Arsenal Pulp Press on LGBTQ films; titles in the series include Paris Is Burning, Strangers on a Train, Law of Desire, and Female Trouble. He is the film instructor at Marianopolis College, and also teaches courses in journalism, communication studies, and film studies at Concordia University, where he received the Concordia Alumni Award for Teaching Excellence in 2007 and the President's Award for Teaching Excellence in 2013.