BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
Torrential rains have descended upon a small isolated village, and the overflowing river has washed away everything in its path. The mudslide has gutted the writing room, the place where a group of senior citizens used to meet to record their memories. It was after the exodus of their children that they began to commit to paper the events, large and small, that had marked their lives. Now their papers—fragments of life, scraps of memory—are strewn around the countryside, along with the fragments of their community structures, habitations and memorials. To reverse this devastation, they have to put everything back in order, they have to remember, restore and rewrite, while a group of strangers, young volunteers, pull down the physical remains of what is left standing.
But what words can capture their lives? And for whom are they writing? In his determination to save the images of who they were, Samuel, the elderly leader of the group, is blind to the new reality around him. For some of his old companions, the flood represents an opportunity to make an unspoken dream come true; for others, it is an opportunity to confess secret loves, and to talk about the future. Assisted by Danny-the-Lonely-Child, the only child who never left the village, Samuel begins to realize that these fragments can never be restored—they can only be recombined into a narrative as fresh and new and real as the hopes and dreams of their original authors.
Cast of 3 women and 3 men.
Michel Marc Bouchard
Quebec playwright Michel Marc Bouchard has written 25 plays, and he is the recipient of numerous prestigious awards including: le Prix Journal de Montréal, Prix du Cercle de critiques de l’Outaouais, the Governor General’s Award, the Dora Mavor Moore Award, and the Chalmers Award for Outstanding New Play. The Vancouver productions of Lilies (1993) and The Orphan Muses (1995) also garnered nine Jesse Richardson Theatre Awards. Bouchard is also the author of Down Dangerous Passes Road and The Coronation Voyage, which was performed in 2003 as the first Canadian-authored play at the Shaw Festival in 25 years, and The Tale of Teeka, all available in English from Talonbooks.
Linda Gaboriau
Linda Gaboriau is an award-winning literary translator based in Montreal. Her translations of plays by Quebec’s most prominent playwrights have been published and produced across Canada and abroad. In her work as a literary manager and dramaturge, she has directed numerous translation residencies and international exchange projects. She was the founding director of the Banff International Literary Translation Centre. Most recently she won the 2010 Governor General’s Award for Forests, her translation of the play by Wajdi Mouawad.
“Gaboriau’s extensive experience in translating Québécois drama … enable[s her] to bring out the richness and subtleties of the [French text].” — Canadian Literature
“This is a witty satire of one of the more tragic effects of globalization: the disregard for collective memory and for those who, like senior citizens, embody it or, like writers, wish to preserve it… Gaboriau has done a superlative job in reproducing the profound disarray underlying the characters’ caustic humour and their violent reactions to differing points of view.” — University of Toronto Quarterly