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list price: $19.95
edition:Paperback
also available: eBook
category: Poetry
published: Apr 2012
ISBN:9780889227477
publisher: Talonbooks

To the Barricades

by Stephen Collis

tagged: canadian
Description

In To the Barricades we move back and forth between historical and contemporary scenes of revolt, from nineteenth-century Parisian street barricades to twenty-first-century occupations and street marches, shifting along the active seam between poetry and revolution. At once elegy (poems dedicated “to” past revolutionary figures and scenes) and a call for renewed struggle in the here and now, this collection of “social lyrics” and serial explosions seeks to drive apathy from the field and to recover forgotten “radical ideas” amidst our current “amnesiac condition.” Avant-garde technique is donated to lyric ends (the expression of social affects), as Arthur Rimbaud presides and the commune is reconvened in Vancouver’s streets.

To the Barricades continues Collis’s “life” poem, “The Barricades Project,” which also includes Anarchive (2005) and The Commons (2008). Both the anti-archive of the revolutionary record and the dream of a once and future “commons” upon which all can equally dwell continue to shape these poems where words are hurried bricks thrown up as “barricades” in language.

“Dear effects of / tireless treason / the social only / shuffles if you / move your feet / we’ve learned this / in a place invaders / called Vancouver / even if we are only / a few and even if / it rains on the day / of the demo”

About the Author
Stephen Collis is the author of over a dozen books of poetry and prose, including The Commons (2008), On the Material (2010), winner of the BC Book Prize, and Almost Islands: Phyllis Webb and the Pursuit of the Unwritten (2018) – all published by Talonbooks. A History of the Theories of Rain (2021) was a finalist for the Governor General’s Literary Award for Poetry, and in 2019 Collis was the recipient of the Writers' Trust of Canada Latner Poetry Prize. The Middle is the second volume of a trilogy begun with A History of the Theories of Rain. He lives near Vancouver, on unceded Coast Salish Territory, and teaches poetry and poetics at Simon Fraser University.
Contributor Notes

Stephen Collis is the author of five books of poetry, including the Dorothy Livesay Poetry Prize–winning On the Material (Talonbooks, 2010) and three parts of the ongoing “Barricades Project”: Anarchive (New Star, 2005), The Commons (Talonbooks, 2008), and the forthcoming To the Barricades (2013). An activist and social critic, his writing on the Occupy movement is collected in Dispatches from the Occupation (Talonbooks, 2012).

Collis is also the author of two book-length studies, Phyllis Webb and the Common Good (Talonbooks, 2007) and Through Words of Others: Susan Howe and Anarcho-Scholasticism (ELS Editions, 2006), as well as the editor, with Graham Lyons, of Reading Duncan Reading: Robert Duncan and the Poetics of Derivation (Iowa University Press, 2012). He teaches contemporary poetry and poetics at Simon Fraser University, where he was a 2011/12 Jack and Doris Shadbolt Fellow.

Editorial Reviews

“Barricades are a type of resistance and, depending on who’s throwing them up, an act of creativity as well as control. Collis uses brush-by, glint, examination-in-perspective, and roundabout reconnaissance to measure our times … Unafraid of the truth and unafraid to opine on the effect of truth, Collis has emerged as one of Canada’s finest writers. Like climate change and tar sands, like the decimation of honey bees with Neonicotinoid, like the essence of Edward Snowden’s revelations, we ignore Collis’s words at our own peril.” – ARC Poetry


“What is not a chronicle of scuffling feet over rebellious streets, what is not a meditation on spontaneous committee work, not a study of occupying civic spaces, not an expression of cascading revolutionary moments, what is the ‘not’ of all that, but that is still forged from all that? It is precisely this swirling charybdis of emotive power that To the Barricades ventures to traverse, harnessing the potential of collective transformation. Continuously in danger of being recouped and serialized by topic and theme, genre, and discourse, in the crosshairs of being literaturized, Collis keeps the forms of social address fluid, stealthy, street-smart, and on the run. Like Neruda’s Canto General, To the Barricades succeeds in marshalling forth ‘cities of words’ as yet un-citied. These lines are graffitiable.” – Rodrigo Toscano

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