BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
The Circus Performers’ Bar is a second collection of finely crafted stories by David Arnason, written in every conceivable style: the urbane New Yorker story, the fireside chat, the war correspondent’s report, the poignant personal memoir and the hysterical small-town gossip. Hilarious role reversals and role substitutions provide the context through which a male neo-consciousness takes shape in a world dominated by the feminist vision. Various adorations of Snow White by her seven dwarves and the de-fanging of the wolf by Little Red Riding Hood are guaranteed to leave the reader choking with laughter and howling far into the night. Each story constitutes a new search for competence in a world where innate ability may have become historically déclassé, and laboriously-acquired facility may lead only to seasickness.
David Arnason
David Arnason was born in Gimli, Manitoba, in 1940. His works include two collections of poetry, Marsh Burning and Skrag, and four collections of short stories: Fifty Stories and a Piece of Advice, The Circus Performer’s Bar, The Happiest Man in the World and The Pagan Wall.
“This is a clever, trenchant stuff, by a master of the art.”
— Globe & Mail