BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
"Missus couldn't run the studio without me," says Billie the dog.
This perpetual calendar is much more than 12 pictures with spaces for notes. Join Emily Carr's faithful companion, Studio Billie, on this light-hearted journey through a year in his life. It's 1909 and "the missus" runs a painting studio in Victoria, where she gives lessons to students and paints her own works. Studio Billie is with her always, except when "chained to a wretched kennel" when visiting relatives, or when having to spend time "down on cold rheumatic wind-swept lower decks, when they travel with their missuses holidaying."
With Studio Billie's Calendar, you can share a year with Emily Carr and her loyal dog. Use it year after year to record birthdays, anniversaries and other "splendacious" occasions.
Beloved Canadian artist and writer Emily Carr (1871–1945) was born in Victoria, British Columbia. She studied art in the US, England and France until 1911 when she moved back to British Columbia. Carr was most heavily influenced by the landscapes and First Nations cultures of British Columbia and Alaska. In the 1920s she came into contact with members of the Group of Seven and was later invited to submit her works for inclusion in a Group of Seven exhibition. They named her "The Mother of Modern Arts" about five years later.