About BC Books Online
BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
Description
George Webber’s poignant black-and-white photographs transport us into the forgotten, unknowable communities of the Canadian prairies. Throughout the journey, we’re confronted by the mysterious particulars of life, death, landscape and faith. Intimate portraits and the hard facts of the place are woven together to create a body of work that is by turns inspiring, consoling and sometimes achingly sad. Individually, these works startle and challenge. As a collection, they represent a photographer’s decades-long meditation on the ever-changing face of the Canadian West.
Editorial Review
Calgary photographer George Webber’s moody black-and-white photographs seem to violate any sense of the wide-open spaces of clichéd flatland lore. In this coffee-table book that features a 10-page essay by Alberta writer Aritha van Herk, Webber’s skies are overcast, more often than not, and towns are small and vulnerable, their bedraggled buildings tottering on the edges of rutted roads. Webber’s interiors have a similar cramped and mothballed quality, and the people that occupy them are often elderly, with faces as weathered as slumping barns, yet resolute in their steadfast gaze. Collectively, Webber’s images seem a visual dirge to what van Herk calls “a place beyond place – the country he documents something we feel in our bones and cannot help but look at, again and again.—Galleries West
