BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
PERFACT is a series in three parts, beginning with an interrogation into the structure of experience, language, and identity. The title poem, “PERFACT,” is an approach to materiality and consciousness in which each intersect, partaking in a coded interchange. This interchange precedes the stage play, 物の哀れ (“mono-no-aware,” an untranslatable Japanese term which might be expressed as an empathy or awareness of things), a “dark night of the soul” whose dramatic interchange leads a feminine “I” inwards and back again, countering the coherence of singular identity with the threat of sublimation. This mystical junction makes way for “MINE,” a lineated poem presenting a disassociated clarity marked by absence, survival’s persistent interlude.
Nicole Raziya Fong is a writer living in Montreal. Her work seeks to delimit and re-construct immaterial ampules of psychic experience, coaxing the incorporeal into inhabiting a more muscular physique. Her chapbook, Fargone (2014), was published as part of the Poetry Will Be Made By All project. Past work has appeared in publications including Cordite, Poetry is Dead, and The Volta. PERFACT is her first book.
"Fong’s powerful debut is a text to return to, to linger on, to rest against the palate of the mouth, and to experientially diffuse as a colour palette of verbal potential."—Montréal Review of Books