BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
The Pacific Cinematheque Monograph Series was initiated to explore the spectrum of contributions and innovations of Western Canadian filmmakers, videomakers, and fringe media artists. Monograph Number One focuses, fittingly, on David Rimmer, one of Canada's foremost experimental filmmakers.
There is no better way to start off Pacific Cinémathèque's Monograph Series, celebrating West Coast filmmakers, than with the work of David Rimmer. Mike Hoolboom's essay tantalizes us with a romantic myth that contextualizes David, while Alex MacKenzie's interview lets the artist speak for himself. Both offer a unique insight into the art practice of one of the most influential Canadian filmmakers of the 20th century. - Ann Marie Fleming, independent filmmaker and visual artist
The most exciting non-narrative film I've ever seen ... images become polarized into grainy outlines, like drawings in white or colored chalk which gradually disintegrate and disappear. The film [Variations on a Cellophane Wrapper] resembles a painting floating through time, its subject disappearing and re-emerging in various degrees of abstraction. - Kristina Nordstrom, The Village Voice
Mike Hoolboom (Essay) is a Canadian film/video artist. He is the author of three books: 'Plague Years' (1998), 'Fringe Film in Canada' (2000), and 'Practical Dreamers' (2008). He's a founding member of the Pleasure Dome screening collective (Toronto) and the experimental film coordinator at Canadian Filmmakers Distribution Centre (Toronto). He's won over 30 international prizes, two lifetime achievement awards, and has enjoyed nine international retrospectives of his work.
Alex MacKenzie (Interview) is a Vancouver media artist working with light projection and expanded cinema. He was the founder and curator of the Edison Electric Gallery of Moving Images, the Blinding Light!! Cinema, and The Vancouver Underground Film Festival. His live media works are presented at festivals and underground screening spaces throughout Europe and North America. He is the co-editor of 'DAMP: Contemporary Vancouver Media Art' (Anvil Press, 2008).
Brian Ganter (Editor) is a writer, educatorand filmmaker. He is the former Media Literacy Coordinator of the Pacific Cinematheque's Education Department (Vancouver). In addition to a variety of short film and video works, Brian also wrote and directed the 2008 feature documentary 'Metropole' which has screened internationally in festivals and forums in the U.S., Canada, and Europe. Brian is finishing his Ph.D. in cultural studies in the English Department at the University of Washington and teaches media and literacy studies at CapilanoUniversity in North Vancouver.