About BC Books Online
BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
Description
Since women started working in the trades in the 1970s, very little has been published about their experiences. In this provocative and important book, Kate Braid tells the story of how she became a carpenter in the face of skepticism and discouragement.
In 1977 when Braid was broke and out of work, her male friends encouraged her to apply as a labourer on a construction site on Pender Island, off the coast of British Columbia. She'd never heard of a woman doing this kind of work, but she was hired because (she later found out) the boss hoped that a woman onsite would improve the men's performance. For the next fifteen years Braid worked as a labourer, apprentice and journeywoman carpenter, building houses, bridges and high-rises. She was one of the first qualified women carpenters in British Columbia, the first woman to join the Vancouver local of the Carpenters' Union, the first to teach construction full-time at the BC Institute of Technology and one of the first women to run her own construction company. Though she loved the work, it was not an easy career choice but slowly she carved a role for herself, asking first herself, then those who would challenge her, why shouldn't a woman be a carpenter?
Told with humour, compassion and courage, Journeywoman is the true story of a groundbreaking woman finding success in a male-dominated field.
Contributor Notes
Kate Braid worked as a receptionist, secretary, construction labourer, apprentice and journey-carpenter before finally “settling down” as a teacher. She has taught construction and creative writing, the latter in workshops and also at SFU, UBC and for ten years at Vancouver Island University.
Braid is the author of the poetry books, A Well-Mannered Storm: The Glenn Gould Poems (2008), Covering Rough Ground (1991), To This Cedar Fountain (1995), Inward to the Bones: Georgia O’Keeffe’s Journey with Emily Carr (1998), and Elemental (2018). In 2005 Braid co-edited, with Sandy Shreve, In Fine Form: The Canadian Book of Form Poetry. It was re-released with a second edition in 2016 as In Fine Form: A Contemporary Look at Canadian Form Poetry. Her 2012 memoir, Journeywoman: Swinging a Hammer in a Man’s World, tells the story of how she became a carpenter in the face of skepticism and discouragement. A revised edition of her award-winning poetry book Covering Rough Ground, Rough Ground Revisited, was published by Caitlin Press in 2015. In 2020, Braid released a collection of essays called Hammer & Nail, with Caitlin Press.
In 2012 Kate Braid was declared one of Vancouver’s Remarkable Women of the Arts. In 2015 she was awarded the Mayor of Vancouver’s Award for the Literary Arts for showing leadership and support for Vancouver’s cultural community, and in 2016 she received the Pandora’s Collective BC Writers Mentor Award. She lives in Victoria, BC.
Recommended Age, Grade, and Reading Levels
- Age:
- 15
- Grade:
- 10
Editorial Review
“Braid’s story is a page-turner... Her detailed journals helped her recreate conversations and map her journey from happenstance labourer to intentional journey woman carpenter. Her evolving feminist politics form a thread throughout her narrative and will resonate with anyone who has experienced aha moments of political consciousness.”
—Herizons
