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list price: $15.95
edition:Paperback
category: Performing Arts
published: Oct 2009
ISBN:9781551522630
publisher: Arsenal Pulp Press

Gods and Monsters

A Queer Film Classic

by Noah Tsika, series edited by Thomas Waugh & Matthew Hays

tagged: history & criticism, gay studies
Description

Gods and Monsters, one of three inaugural titles in Arsenal's film book series Queer Film Classics, deals with the acclaimed 1998 film about openly gay film director James Whale, best known for the Frankenstein films of the 1930s.
Written and directed by Bill Condon (Dreamgirls), the film focuses on the final days of Whale's life in the 1950s. Moving from the slums of Britain in the early twentieth century to the new era of "talkies" in Hollywood and beyond, Gods and Monsters trains a gay eye on the historical events that helped shape Whale (played by Ian McKellen) and his films. In 1957, long after his career had peaked, he recounts his experiences to his young, straight gardener (played by Brendan Fraser), with whom he forms an uncommon bond. The resulting film was widely acclaimed, winning an Oscar for Condon's screenplay and nominations for both McKellen and co-star Lynn Redgrave.
Noah Tsika's book examines Gods and Monsters from a variety of perspectives, highlighting the complexity and significance of its achievements, including its fusion of fantasy and biography.

About the Authors
Noah Tsika

Noah Tsika is a PhD candidate in Cinema Studies at New York University, Tisch School of the Arts and the author of numerous essays on film, television, and new media.


Thomas Waugh is the award-winning author or co-author of numerous books, including five for Arsenal Pulp Press: Out/Lines, Lust Unearthed, Montreal Main: A Queer Film Classic (with Jason Garrison), Comin' At Ya! (with David L. Chapman), and Gay Art: A Historic Collection (with Felix Lance Falkon). His other books include Hard to Imagine, The Fruit Machine, The Romance of Transgression in Canada, and The Perils of Pedagogy: The Works of John Greyson. He is co-editor (with Matthew Hays) of Queer Film Classics, a series of monographs for Arsenal Pulp Press on classic LGBTQ films; titles in the series include Paris Is Burning, Strangers on a Train, Law of Desire, and Female Trouble. He is Professor Emeritus at Concordia University in Montreal,where founded the Concordia program in sexuality studies, the Concordia HIV/AIDS Project, and Queer Media Database Canada Quebec (mediaqueer.ca).



Matthew Hays is a Montreal-based critic, author, and university and college instructor. His articles have appeared in a broad range of publications. His first book, The View from Here: Conversations with Gay and Lesbian Filmmakers (Arsenal Pulp Press), was cited by Quill & Quire as one of the best books of 2007 and won a 2008 Lambda Literary Award. He is co-editor (with Thomas Waugh) of Queer Film Classics, a series of monographs for Arsenal Pulp Press on LGBTQ films; titles in the series include Paris Is Burning, Strangers on a Train, Law of Desire, and Female Trouble. He is the film instructor at Marianopolis College, and also teaches courses in journalism, communication studies, and film studies at Concordia University, where he received the Concordia Alumni Award for Teaching Excellence in 2007 and the President's Award for Teaching Excellence in 2013.

Editorial Reviews

With wit, erudition, and a palpable emotional investment, Tsika carefully explains what is significant, challenging, and interesting about Bill Condon's 1998 film ... Gods and Monsters is an accessible and appealing film, but Tsika shows you what a great film it is, too, ornately stylized and thematically rich. -Cineaste


A blend of fascinating personal tidbits and keenly defined insights, Tsika gives the book a feel of authenticity that goes beyond intellectual honesty and reaches emotional genuineness. -EDGE Publications


An intriguing biographical foundation drawn from the life of gay film director James Whale, with its narrative containing a mix of fact and fiction, this traces Whale's journey personally and professionally through his conversations with a young gardener. In addition to his analysis of the film's story and treatment, Tsika draws on other films and literature, as well as on the history of early Hollywood with regard to gay themes, in order to provide a full cultural context. -Library Journal

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