BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
Down the Road to Eternity: New & Selected Fiction is a collection of M.A.C. Farrant’s work dating from 1985 to 2009. Compiled of selected fiction from Sick Pigeon (1991), Raw Material (1993), Altered Statements (1995), Word of Mouth (1996), What’s True, Darling (1997), Darwin Alone in the Universe (2003) and The Breakdown So Far (2007), it includes her complete new suite of 18 stories, The North Pole, where our individual existence is bludgeoned by the threat of “end times”—climate change, species extinction, pandemics and really bad politics. Each of these stories is an ongoing instance of the author’s attempt at understanding language ironically, a search for the strikingly sublime in the awesomely absurd.
Objective reality in our culture has become a corporate performance of make-believe, and the disassociation and confusion this causes in our private lives often triggers uncontrollable tragi-comic effects in Farrant’s characters—a vacuous lethargy and/or a destructive violence they act out in a context of the most excruciatingly bright banalities imaginable.
Satiric and philosophical in approach, indelibly marked by wit, humour, irony, playfulness, a blend of parody and science fiction, irreverent analysis and comic existentialism, these stories celebrate the literary imagination as an antidote to the stranglehold the popular media now has on the public’s imagination. Yet as in all such relentlessly absurdist dystopian social parodies, there resides behind each of these brief entertainments a stifled scream for help, a trapped yearning for the awe and wonder of what we have become estranged from, an arrested lust for meaning.
Unsparing in her critique of the branded New Age syncretism our global culture has substituted for authentic human emotion and particular belief, these hilariously off-side stories navigate Farrant’s exploration of the relation of fiction to the evolving construction of reality in our media and information age.
M.A.C. Farrant
M.A.C. Farrant is the acclaimed author of nine previous collections of satirical and humourous short fiction, and two works of non-fiction. Farrant’s work is infused with acerbic wit and iconoclastic innovation. As the Globe & Mail has noted, “Farrant is better at startling us with unnerving, often misanthropic visions of everyday life than perhaps any other Canadian writer”.
“Farrant has a lightness of touch, and her writing is not too charmed by its own cleverness; she achieves something quite tricky there. With an eye to the world that is somewhat aslant, her stories cannot nestle neatly into the forms usually associated with realism, and the formats she chooses are refreshing: at her best, it feels as if she is getting at the heart of something that takes other writers much longer to lead us to.” — Canadian Literature
“M.A.C. Farrant is a trapeze artist of the imagination, swinging over the existential void.”
— BC Bookworld
“Farrant, it appears, will offer satire, surrealism and silliness to guide us through the rogue waves of reality toward a shore called Meaning. The stories are full of changing ideas and scenarios, and contain worlds. The reader might want to pick at these stories slowly, however, as they are extremely rich.”
— Globe and Mail