BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
In 1876, Jack the Ripper, otherwise known as Canadian Doctor Thomas Neill Cream, graduated with merit from McGill’s faculty of medicine. Cream was a backstreet abortionist and managed an exclusive brothel called The Elite Club. His notorious reputation eventually forced him to flee Canada for London. He was hanged in 1892 for the murder of four prostitutes.
Doctor Thomas Neill Cream mixes fact and speculation with its cast of unlikely characters: khaki-covered union organizers—the good guys; five white-faced “zombies” representing such illustrious “Founding Fathers of Confederation” and distinguished members of the McGill fraternity as Sir Hugh Allan, Sir William Dawson, Sir William Osier and Lord Strathcona—the victors; and their young prostitutes—the victims.
Intended as a cultural exorcism, playwright David Fennario charges with murder the capitalists who are now paraded through our history books as nation-builders. Past evil is parallelled in the present.
David Fennario
Anglophone playwright born David Wiper in Montreal, Quebec, 1947. He was raised in the working class district of Pointe-St-Charles, an area he would make the centre of most of his plays.
“Fennario’s in-your-face irreverence [is] ferociously funny.”
— U of T Quarterly