About BC Books Online
BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
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Description
In this quick-witted collection of poems, Nikki Reimer mines the language of new media – hashtags, YouTube comments, Twitter updates – to defamiliarize the very substance of modern life: the Ingram CoreSource of media-enforced ideals that barrage our newsfeeds, daily commutes to #work, and (mostly online) excursions to the (Apple) store. #nuffsaid
DOWNVERSE soothes the oversaturated reader. A natural translator, Reimer writes for anyone who has felt overwhelmed by the phrase “never read the comments.” Reimer has read all of the comments; paying close attention to musicality and her own poetic process, she guides found text into whiplike stanzas with original typos intact.
Conscious of its birthplace, DOWNVERSE crafts both an ode to and an elegy for Vancouver’s middle-class, Gen-Y, millennial angst, and even Vancouver itself – not the physical place, but rather the idea of #Vancouver, presented through images plastered over billboards and stamped into Special Edition footwear. In its shifty way, Reimer’s text alternates between the voices of Vancouver’s youth- and consumer-driven populace, asking the question, “What happens when The Market is the Way, the Truth, and the Life?”
Contributor Notes
Nikki Reimer writes poetry, non-fiction, and criticism, organizes in the community, yells on the internet, and makes digital art. Her first book of poetry, [sic] (Frontenac House, 2010), was shortlisted for the Gerald Lampert Memorial Award. She has published three chapbooks: that stays news (Nomados Press, 2011), haute action material (Heavy Industries, 2011), and fist things first (Wrinkle Press, 2009). Her work has also been shortlisted for the Lit POP Award and the PRISM International Creative Non-Fiction Contest. She is a member of the Writer’s Guild of Alberta and a founding co-director of the Chris Reimer Legacy Fund Society.
Editorial Reviews
“The poems in DOWNVERSE are centered in rage, boredom, grief, confusion and despair. Reimer displays a mistrust in the poem, while concurrently stretching the scope of what just might be possible.”
– The Small Press Book Review
“Nikki Reimer’s DOWNVERSE registers the commotion of noise when it’s pronounced choice in the heated work of poetic composition. Right there, at the edge of the word, the phrase, the pronoun, the vortex of the sudden twists in the urgency of procedure. Her poetry has more to do with being there than getting there; each moment in the language opts for the next now. The advantage of total assault in this performance is understanding by immersion. Placed, justifiably, in the pantheon of recent city poems, the section ‘vancouverlament’ opens with ‘haute action material,’ a title that also accurately underscores this collection of writing as hot!”
– Fred Wah
“humorous and sharply critical. Reimer immerses her writing within the conditions of millennials – a generation of supposedly disappointed and disenfranchised persons faced with social, economic, and political uncertainty. Employing tactics of erasure, collage, and unconventional typography, DOWNVERSE intervenes into and reconfigures the linguistic materials of new media to work through these issues in a way that is reflective of the disjunctive information age, but also critical of the conditions that come with it. … Both a lament and an expression of frustration, DOWNVERSE perfectly captures the cynicism of a generation, but also represents a desire to find a pathway out of these mired conditions. ”
– Canadian Literature
“… if Downverse succeeds where other works in a similar mien do not, it is because Reimer articulates a counter-grammar to its own cliché-laden registers. What Reimer ultimately delivers is a poetics of conjunction itself, a poetics in which even disjunction is a form of joining. Downverse is the reliquary appropriate to this alchemy of joining, and the multifarious, obstinate objects you will find within it become ever more fascinating as you turn them over in your hands.”
– Ethos Review
