BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
Cultural Mischief is a collection of prose poems on the hyperbolic absurdities of multiculturalism in action. Whether digging up the midden under Greg Curnoe’s house, revisiting Hiroshima, attending a dog breeder’s show or retelling the history of Quebec from the point of view of its founding nations, the Mohawks and Algonquins, Davey delivers startling vignettes at their funniest and most thoughtful.
This book is delightfully—and deceptively—simple. It provides the reader at one and the same time the most exquisitely enjoyable bedtime reading, and a wake-up call with a better hit than the best designer espresso.
Frank Davey
Born in Vancouver, Frank Davey attended the University of British Columbia where he was a co-founder of the avant-garde poetry magazine TISH. Since 1963, he has been the editor-publisher of the poetics journal Open Letter. In addition, he co-founded the world’s first on-line literary magazine, SwiftCurrent in 1984. Davey writes with a unique panache as he examines with humour and irony the ambiguous play of signs in contemporary culture, the popular stories that lie behind it, and the struggles between different identity-based groups in our globalizing society—racial, regional, gender-based, ethnic, economic—that drive this play.
"Finally, what’s left is an irresistible, irrepressible read that’s bound to raise eyebrows."
— Monday Magazine