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list price: $16.95
edition:Paperback
also available: eBook
category: Drama
published: Mar 2005
ISBN:9780889225152
publisher: Talonbooks

Cul-de-sac

by Daniel MacIvor, foreword by Daniel Brooks

tagged: canadian
Description

Co-founder of Toronto’s groundbreaking theatre company da da kamera, Daniel MacIvor is Canada’s most influential post-modern playwright.
In his latest collaboration with director Daniel Brooks, MacIvor plays the role of Leonard, who narrates the events leading up to his murder while trying to understand them himself. Through the course of the play, we peer behind the curtains of his neighbourhood as MacIvor transforms into the multiple characters who bear witness to Leonard’s life and death. Yet each of their stories, while internally consistent, tells a subtly different version of what happened, progressively colouring and transforming our understanding of the characters as we think we had come to know them. In a headlong rush we understand that everyone’s story inevitably dead-ends at precisely the bottom of the preconceptions they brought to its telling.
Punctuated by brilliant lighting and a mood-setting soundscape, this dazzling one-man show is storytelling of the highest order.

About the Authors

Daniel MacIvor

Born in Sydney, Cape Breton in 1962, Daniel MacIvor studied theatre at Dalhousie University in Halifax and George Brown College in Toronto. A prolific playwright, dynamic performer, producer, and artistic director, MacIvor has been creating original Canadian theatre since 1986 when he founded the highly acclaimed theatre company da da kamera, which has won a Chalmers Award for Innovation in Theatre (1998). MacIvor is also a successful filmmaker. His projects include the award winning short film The Fairy Who Didn’t Want to Be a Fairy Anymore. His first feature film, Past Perfect (produced by Camelia Frieberg), premiered at the 2002 Toronto International Film Festival and was released in theatres across Canada in March and April of 2003. He also adapted his Governor General’s Award-nominated stage play, Marion Bridge, for the screen (directed by Wiebke von Carolsfeld), for which he won the Best Screenplay Award at the 2002 Atlantic Film Festival. Talonbooks published his play Cul-de-sac in 2005.

Daniel Brooks was one of Canada’s most accomplished theatre makers. As a writer, director and performer he collaborated with some of the country’s finest talents in producing a body of daring and original work. He created shows with Don McKellar, Tracy Wright, Daniel MacIvor, Guillermo Verdecchia, Leah Cherniak, John Mighton, Rick Miller, Diego Matamoros, and Michael Ondaatje, among others. His many achievements include a series of monologues created with Daniel MacIvor, direction of work by John Mighton, Beckett, Chekhov, Ibsen, Sophocles, Borges, and Goethe, the musical Drowsy Chaperone, and many creations including Insomnia, The Eco Show, The Good Life, The Noam Chomsky Lectures, Bigger Than Jesus, Pokey Jones, and a series of plays created with Don McKellar and Tracy Wright (The Augusta Company). He was co-artistic director of The Augusta Company, Artistic Director of Necessary Angel from 2003 to 2012, and an associate artist at Soulpepper Theatre. He was also a playwright in residence at the Tarragon Theatre for seven years. His many theatre awards include the Siminovitch Prize. His work has toured across Canada and around the world. During his career he won the Siminovitch Prize, the Chalmers Award, the Dora Mavor Moore Award (3 times), the Pauline McGibbon Award, the Edinburgh Fringe First Award, and the Capital Critics Circle Award. He was Nominated in 1992 for a Governor Generals Literary Award and named as a finalist in 2005.
Awards
  • Short-listed, Governor General’s Literary Award for Drama
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