About BC Books Online
BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
Description
Creative Subversions explores how whiteness and Indigeneity are articulated through images of Canadian identity -- and the contradictory and contested meanings they evoke. These benign, even kitschy, images, she argues, are haunted by ideas about race, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood.
In this richly illustrated book, Margot Francis shows how national symbols such as the beaver, the railway, the wilderness of Banff National Park, and ideas about “Indianness” evoke nostalgic versions of a past that cannot be expelled or assimilated. Juxtaposing historical images with material by contemporary artists, she investigates how artists are giving these taken-for-granted symbols new and suggestive meanings.
Contributor Notes
Margot Francis is an associate professor of women’s studies and sociology at Brock University.
Editorial Reviews
In addition to its scholarly rigour and theoretical sophistication, Creative Subversions is highly readable and engaging...This book is a major contribution to the study of Canada across the disciplines of history, art history, media and film studies, and cultural studies, and it will also be of value to scholars and students of colonialism and culture more generally.
— Journal of Colonialism and Colonial History, Vol 14, No 1, 2013
Engaging and insightful...Francis's analysis of the history of national parks in Canada and their meaning for national identity will ring particularly true to anyone familiar with the substantial literature in the United States on its national parks system.
— BC Studies, No. 176, Winter 2012-13
Through the concept of haunting, Francis provides a new and sophisticated way of thinking about the circulation of images of nationhood, showing how ideas about whiteness, aboriginality, race, and sexuality that were formative in the development of Anglo-Canadian nationhood continue to haunt its contemporary representations.
— Anne Whitelaw, Department of Art History, Concordia University
