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list price: $16.95
edition:Paperback
category: Drama
published: May 2008
ISBN:9780889225848
publisher: Talonbooks

Benevolence

by Morris Panych

tagged: canadian
Description

Fastidious and fussy shoe salesman by day and secretive aspiring film screenwriter by night, Oswald Eichersen’s dreams of success are as grandly inflated as his self-esteem is hopelessly deficient. Just outside Eichersen’s place of work, street person Terence Lomy has sat encamped for two years—an indelible fixture on the sidewalk with a cardboard sign round his neck with the word “hungry” scribbled on it in a hapless hand. One day, on an irrational impulse, having ignored the beggar for years, Eichersen gives Lomy a hundred dollar bill, setting into motion a series of ironic and completely unanticipated events that will change both of their lives forever.
But it’s not only Eichersen and Lomy that are changed by this irrational act of generous empathy. Through a hilarious series of bizarre encounters in the porn theatre that Lomy—a beguiling trickster who dares to claim it is actually he who has something of value to offer Eichersen—has chosen for a series of “rendezvous” with his benefactor, Eichersen finds himself in an unwanted relationship with a reformed hooker, as sexless a companion as his former longtime girlfriend with an irritating fetish for small dogs. As he helplessly witnesses his entire life disintegrate, only to be co-opted and appropriated by everyone around him, Eichersen ends up abandoned and penniless, on the lam for a murder he didn’t commit, absurdly preparing a lecture on Benevolence for the sole patron of the dark and dingy theatre of his nightmares.
Full of excruciatingly comic twists and turns of both fate and manipulative, perhaps even malicious intent, this dark comedy of “trading places” resonates with a cascade of uncomfortable truths about how we see (or don’t see) the people we live with every day.
Benevolence premiered at Tarragon Theatre in Toronto on September 24, 2007.
Cast of 2 women and 3 men.

About the Author

Morris Panych

Originally from Calgary, Alberta, Morris Panych is arguably Canada’s most celebrated playwright and director. His plays have garnered countless awards including two Governor General’s Literary Awards for drama (for The Ends of the Earth and Girl in the Goldfish Bowl), fourteen Jessie Richardson Awards (Vancouver), and five Dora Mavor Moore Awards (Toronto). Productions of the much-lauded Vigil, Girl in the Goldfish Bowl, Gordon, The Trespassers, and Lawrence and Holloman have been mounted in Canada, the United States, Europe, Asia, Australia, and New Zealand. His plays have been produced in over two dozen languages. He has written twenty-five works for the stage and has directed over a hundred productions across Canada and the United States, including operas and dance. Mr. Panych makes his home in Toronto. His website is kenandmorris.com.
Contributor Notes

Morris Panych
Playwright, actor and director Morris Panych has been described as “a man for all seasons in Canadian theatre.” He has appeared in over 50 theatre productions and in numerous television and film roles. He has directed over 30 theatre productions and written over a dozen plays that have been translated and produced throughout the world. He has twice won the Governor General’s Award and has won the Jessie Richardson Theatre Award 14 times for acting and directing. He has also been nominated six times for Toronto’s Dora Mavor Moore Award and three times for the Chalmers Award. His classic 7 Stories ranks ninth among the ten best selling plays in Canada, outselling the Coles version of Romeo & Juliet.

Editorial Reviews

“No one can make total strangers engage quite like Morris Panych can. He does so by allowing the characters to open up to their enigmatic past in clear, natural, flowing streams of consciousness. His character drawing has never been stronger, his dialogue stringing never more kooky and laconic.”
—Torontostage.com


“…a leathal mixture of black humour and social observation. When it comes to sparkling, erudite, bitchy dialogue, Panych, as a playwright, has few equals.”
—Toronto Star

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