BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
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Two plays from rising Canadian theatre star Ellie Moon. Asking For It looks at gender roles and sexual consent in the wake of the Ghomeshi scandal, and considers the various ways in which sexual consent is understood personally, culturally, and legally. In this documentary play, Moon speaks with people of all ages and backgrounds about their assumptions and experiences around consent to sexual relations, and with legal experts about the current state of sexual assault law in Canada. What I Call Her is a play about gaps in how people perceive and understand the world they live in, female generational rage, and the loneliness of holding on to one’s own truth.
Ellie Moon is a Dora-nominated actor and a playwright. She has acted in stage productions in Canada with Soulpepper, Segal Centre, Crow’s, Nightwood, and Thousand Islands Playhouse, and in the UK at Bush Theatre and Tristan Bates Theatre. Her recent onscreen acting work includes the upcoming Canadian indie feature, Adult Adoption (for which she also wrote the screenplay). Ellie’s playwrighting debut, Asking For It, premiered as both Crow’s and Nightwood’s 2017–18 season opener. Her second play, What I Call Her, premiered at Crow’s the following year. Ellie’s third play, This Was the World, premiered at Tarragon Theatre, where Ellie is currently playwright-in-residence, in their 2019–20 season. Ellie founded the charitable Secret Shakespeare Series.
“A bracing pleasure … A sly, intelligent piece of documentary theatre borne of Ghomeshi-gate.”
—the Globe and Mail
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“You might call What I Call Her something between insufferable and incredible... the psychological depth wrought from this unbearableness has a magnetic pull [which] is the mark of some serious art.”—Martha Schabas
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“an incredible accomplishment…vital theatre.”—Intermission
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“Moon develops this conversation with bare truth and passion. She investigates where our anger comes from, or our fear, and how quickly we can change from the person we think ourselves to be... An excellent play that provokes thought and consideration.”—Amy Strizic
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