About BC Books Online
BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
Description
Forty years after China’s tumultuous Cultural Revolution, this book revisits the visual and performing arts of the period – the paintings, propaganda posters, political cartoons, sculpture, folk arts, private sketchbooks, opera, and ballet. Probing deeply, it examines what these vibrant, militant, often gaudy images meant to artists, their patrons, and their audiences at the time, and what they mean now, both in their original forms and as revolutionary icons reworked for a new market-oriented age. Chapters by scholars of Chinese history and art and by artists whose careers were shaped by the Cultural Revolution offer new insights into works that have transcended their times.
Contributor Notes
Richard King is Professor of Chinese studies at the University of Victoria, teaching Chinese literature and film, Asian popular culture, research methods, and Chinese language.
Editorial Reviews
In this national convulsion the arts played a strikingly large role, a process described with great care in Art in Turmoil.
— “A new level of art criticism,” National Post, June 15, 2010
This is a brilliant, thorough study of art created during the disastrous decade in China’s modern history. The recent flood of publications on China’s contemporary art scene make this book on the immediately preceding period necessary reading because of the polar opposite forces that brought the two periods into play.… Essential.
— CHOICE
This volume compellingly illustrates that the artistic products of the CR period were anything but “artless, sterile, without depth, without truth, and without reality” (189). Moreover, present-day artistic producers and their works, as well as society at large, continue to be influenced by them.
— The China Beat
The level of scholarship throughout is high, with extensive reading in Chinese-language primary and secondary sources combined with personal experience. It is recommended reading for all students of contemporary Chinese culture and society.
— Pacific Affairs, Vol 84, No 3
