BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
At a dinner party, Beth — thirty-six, single, and working as much overtime as she can get her hands on — impulsively announces that she's going to spend a night on Vancouver's mean streets in commiseration of the homeless. Unexpectedly, her hosts' son Mason — nine years old, small for his age, intense, intellectual and so shy he can't speak in company — whispers in his mother's ear that he wants to go with her. Mason's parents, good limousine liberals that they are, reluctantly allow him to go. Disaster, of course, ensues.
So begins this fast-paced, tightly wound, funny and quirky first novel from a fresh new voice in Canadian fiction. Follow Beth, well-meaning but ultimately misguided, through one night on the streets as she frantically searches for the boy she has lost, ruminates on the shopping cart as a status symbol, loses her shoes, meets a writer, knocks herself out cold, discovers romaine lettuce as a hair accessory, and maybe — just maybe — falls in love after all.
Kvern’s spirited, funny and poignant first novella takes us for one night into the plush world of Vancouver’s Kitsilano in a kind of literary equivalent of Martin Scorsese’s Soho nightmare film, After Hours . . . The novella’s saucy voice generates real narrative pull and neatly folds together high comedy and social satire. —Vue Weekly