BC Books Online was created for anyone interested in BC-published books, and with librarians especially in mind. We'd like to make it easy for library staff to learn about books from BC publishers - both new releases and backlist titles - so you can inform your patrons and keep your collections up to date.
Our site features print books and ebooks - both new releases and backlist titles - all of which are available to order through regular trade channels. Browse our subject categories to find books of interest or create and export lists by category to cross-reference with your library's current collection.
A quick tip: When reviewing the "Browse by Category" listings, please note that these are based on standardized BISAC Subject Codes supplied by the books' publishers. You will find additional selections, grouped by theme or region, in our "BC Reading Lists."
In his third poetry collection, A Brief History of the Short-Lived, Chris Hutchinson brings the full force of his linguistic dexterity to bear on the elusive subject of literature itself.
With his restless intellectual curiosity tempered by a dash of witty self-deprecation, Hutchinson deftly manoeuvres through hallowed halls of academia with humour and grace.
Three stylistically distinct sections,"Imago,""A Brief History of the Short-Lived," and "Serialist" are interwoven throughout the collection, showcasing the range of Hutchinson's poetic ability. The "Brief History" poems explode from the page in densely allusive bursts of energy, clusters of images fired off at a rapid pace: "He is wearing a green felt / Fedora with an ostrich plume which bursts into flame the moment I drop / A three-sided coin into his outstretched flipper." By contrast, the "Imago" and "Serialist" sections are quieter and more meditative, though no less inventive or rich in imagery: "Rhetoric is big business / as byzantine networks / replace its circle of friends."
By turns gleefully irreverent, thoughtful and too clever for its own good, A Brief History of the Short-Lived defies description--it must be read to be believed.
One way to approach a book of poems is to read it as a collection of evocative lines. Take, for instance, "Then your thought becomes a paper flower/ Unfolded by an artless whim/ And crumpled up by worrying neuroses/ And planted in the heart of reason." This is a pleasing passage, both rhythmically and intellectually: metaphor and sound working in tandem. An aesthetic akin to surrealism is at work in Hutchinson's latest collection.
--Paul Tyler, Arc Poetry Magazine