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list price: $17.95
edition:Paperback
also available: eBook
category: Poetry
published: Oct 2015
ISBN:9780889229600
publisher: Talonbooks

Rom Com

by Dina Del Bucchia & Daniel Zomparelli

tagged: canadian
Description

At precisely the cultural moment you were hoping for, a dream team of smart, sexy, brunette, West Coast poets of Italian descent has passionately co-authored an intelligent collection of poetry that both celebrates and capsizes the romantic comedy.
From the origin of the genre (It Happened One Night) to its contemporary expressions (Love Actually), the poems in Rom Com trace the attempt to deconstruct as well as engage in dialogue with romantic comedy films and the pop culture, celebrities, and tropes that have come to be associated with them. These irreverent, playful, weird, and comedic poems come in a variety of forms, fully engaging in pop culture, without a judgmental tone. They see your frumpy expectations and raise you issues of sexuality, consent, sexism, homophobia, race, and class. They explore the highs and lows of romantic relationships and the expectations and realities of love, tackling real emotional worlds through the lens of film.
Two cool people wrote it. Dina Del Bucchia, the fashionable and voluptuous, is a woman on the go, brazenly hosting literary events and tweeting about otters and award shows. Daniel Zomparelli, the handsome and dashing, is a young, gay man-about-Vancouver who somehow also quietly edits (in chief) a semi-annual poetry journal. (Ship them all you want, fools.)
How to tell if you are compatible with this book: Are you equally versed in literature and pop culture? Are you a film-savvy fan of contemporary poetry? Are you an academic with interest in literature and cultural studies? Are you in general a cool, sad person? This book might just be the sassy best friend you’ve wanted.

About the Authors
Dina Del Bucchia is the author of the short-story collection Don’t Tell Me What to Do and of three collections of poetry: Coping with Emotions and Otters, Blind Items, and Rom Com, the latter written with Daniel Zomparelli. She is an editor of Poetry Is Dead magazine, the artistic director of the Real Vancouver Writers’ Series, and a co-host of the podcast Can’t Lit with Jen Sookfong Lee. An otter and dress enthusiast, she lives on the unceded territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səl̓ilwətaɁɬ (Tsleil-Waututh) First Nations (Vancouver, British Columbia).

Daniel Zomparelli is the founder of Poetry Is Dead magazine. His first book of poems, Davie Street Translations, was published by Talonbooks in 2012. He is a former co-podcaster at Can’t Lit with Dina Del Bucchia, with whom he co-wrote Rom Com. His collection of short stories, Everything Is Awful and You’re a Terrible Person, was nominated for the Ethel Wilson Fiction Prize, won the ReLit Short Fiction Award, and has been translated into German, French, and Spanish. Daniel’s podcast I’m Afraid That was listed as one of the best podcasts of 2018 by Esquire and featured as a podcast to listen to on the A.V. Club and BBC America. He recently edited Queer Little Nightmares with David Ly. He currently lives in Los Angeles.
Contributor Notes

Dina Del Bucchia is the author of three collections of poetry, Coping with Emotions and Otters (Talonbooks, 2013), Blind Items (Insomniac Press, 2014), and Rom Com, (Talonbooks, 2015), and a colletion of short stories, Don’t Tell Me What to Do (Arsenal Pulp Press, 2017). She also hosts Can’t Lit, a podcast on Canadian literature and culture, with Zomparelli and Jen Sookfong Lee. Her short story, Under the ‘I,’ was a finalist for the Writers’ Trust RBC Bronwen Wallace Award in 2012. She is a senior editor of Poetry Is Dead magazine and is the Artistic Director of the Real Vancouver Writers’ Series. She has an MFA in Creative Writing from the University of British Columbia, where she currently is an instructor in writing comedic forms. Find out more about her at dinadelbucchia.com.

Daniel Zomparelli is editor-in-chief of Poetry Is Dead magazine. He is a co-podcaster at Can’t Lit. His first book of poems, Davie Street Translations was published by Talonbooks. His current endeavours include After You, a series of interconnected poems that span North America.

Awards
  • Commended, Alcuin Awards for Book Design in Canada
  • Short-listed, Alcuin Awards for Book Design in Canada 2015, Poetry (Honourable mention)
Editorial Reviews

“Basically awesome. … The poems bounce between poking fun at the absurdity of rom-coms and their clichés, and shovelling ice cream scoops of sadness into their downturned mouths – sometimes all at once. …”
—Jonathan Ball, Winnipeg Free Press


“Daniel Zomparelli and Dina Del Bucchia lend coolness to a genre that’s steadfastly anything but in Rom Com. The book mines the conventions of romantic comedy, as well as the content of actual romantic comedies, with the kind of deep sympathy and sense of humour you’re only really able to pull off when you really love the thing you’re making fun of. … all in all it’s an in-depth exploration of a skin-deep genre that’s whip-smart and extremely fun to read.”
Globe and Mail


“Basically awesome. … The poems bounce between poking fun at the absurdity of rom-coms and their clichés, and shovelling ice cream scoops of sadness into their downturned mouths – sometimes all at once. … Maybe more people would like poetry if it was always this smart and fun.”
—Jonathan Ball, Winnipeg Free Press


“an in-depth exploration of a skin-deep genre that’s whip-smart and extremely fun to read.”
Globe and Mail


“If your relationship with mainstream rom coms remains, like mine, love/hate, on-again/off-again, or just ‘it’s complicated,’ then Rom Com might be a great place to share a laugh and maybe some tears of disappointment in mainstream media representation. I not only felt represented in these poems, but also seen and validated. … Rom Com doesn’t shy away from being critical of mainstream romantic comedies, even as it unabashedly expresses its love for the genre.”
Daily Xtra


“An enormously smart and witty collection, playing with stereotypes and a love of bad film. And yet, are Del Bucchia and Zomparelli celebrating the genre or pulling away the curtain, and revealing its inherent shallowness? The answer, I think, is, somehow, incredibly, both.”
—rob mclennan’s blog

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