PREFACE
This is my last book. Sam Solecki is the editor, and now seems a good time to thank him, for that and many other reasons. And to thank Eurithe for many many reasons. I said to her a moment ago, "What does it feel like to live with someone who writes poems most of his life and yours?"
She said, "To me it feels normal. I can't compare it with anything else. It was a life."

Sure it was a life. But can't I wring even a modest superlative out of her like: "Al, it was wonderful! I loved every minute of it!" Couldn't she lie a little just to make me happy? I tell you, it's maddening to live with a woman who always has to tell the truth, as if it hurts her in the esophagus or eardrum or in her instep to exaggerate just a wee bit. I tell her shut up then, I got this very important document to write, outlining my Philosophy and World View of the Hereafter.

So I'm left alone to talk with a bunch of ghosts, at least people I can't see, potential readers, past readers, people who can't stand my stuff (no, they can't read anyway). But there are a few, I guess. And now I have a subject. I've reached age 80, and I started to write at 13. Now I hafta make an embarrassed confession: I feel the same way Eurithe does: I can't compare our lives with any others. (But I hate women who're always right like that.)

It was a life, she said. And I thought it was a pretty good one. We did what we wanted to do, went where we wanted to go. I wrote the way I liked, and kidded myself some of it was pretty good. We were broke - and I mean nearly penniless - a few times in earlier days. A few times, for god's sake? Nearly always. There were periods when I was so depressed I felt like suicide -: having failed at everything I tried to do. But we pulled out of it, with some difficulty. And those periods I called "The Bad Times" seem to me now something like Triumph. "Don't you think so, dear?"

"They were horrible. You should have committed suicide."
What are ya gonna do with a woman like that?
Anyway, yes, it was a life. I wouldn't have wanted any other.

Al Purdy
Sidney, BC / Ameliasburg, Ontario 1999

Purdy's Last Poem: "Both Her Gates East and West"
Wanderings in Canada in the century
before the Millennium . . .

This is where I came to
when my body left its body
and my spirit stayed
in its spirit home

Beside the seething Fundy waters
my friend sleeps
and wrote this message for me
"I'll wait for you in the west
Till your sun comes down for its setting"
That grand summer in Newfoundland
when we feasted on wild raspberries
bakeapples Screech and salmon
walked four miles in the rain
(you blamed me for) to L'Anse aux Meadows
where Helge Ingstad and Anne Stine
were digging up Leif the Lucky's ruins
talked to them an hour
while I watched the Viking ship
and horned heads leaping ashore
reflected in Ingstad's blue eyes
On Baffin Island
north of summer and summer
comes again with every flower
a river where I slept a moment's hour
to dream and plucked white blossoms
and sent them searching for you
from that island of lost memory
are the flowers still searching?
Quebec was summer in Montreal
Cùte des Neiges and St. Joseph's
with Brother Andre's heart
pickled in alcohol
where I climbed the steps in winter
"the lame and the halt and the blind"
climbed in summer
in search of Brother Andre's miracle
and threw away their crutches
On a green island in Ontario
I learned about being human
built a house and found the woman
and we shall be there forever
building a house that is never finished
Camped by the South Saskatchewan
all day we listened to voices
we heard inside ourselves
the river like a blue bracelet
where the Metis fought their last battle
Dumont Letendre and old Ouellette
their ghosts came to us in sleep
as white mist moved over our bodies
the river flowed into the sky
In the Alberta prairie badlands
camped by the vanished Bearpaw Sea
in Dinosaur Provincial Park
after the campground closed in fall
we wander NO TRESPASSING badlands
- the white light suddenly changes
to brown sepia twilight
we're 75 million years back in time
beasts like bad dreams ramp around us
with bodies we can see through
transparent in the sepia sun
and Canada becomes a very old country
the Rocky Mountains fold themselves upward
giants rising slowly
and we are children again
Through the Crow's Nest mountains
at age 17
the freight train a black caterpillar
climbing climbing climbing
vertebrae chattering up the mountains
red coal cinders blackening my face
riding the high catwalks riding the empties
like bugs like dwarfs like boys pretending
they're men halfway high as the mountains go
below us valleys bathed in sunlight
glowing enchanted valleys
and I came to believe we were beloved there
beloved in a land fortunate of itself
beneath black cinders on our faces
we glowed in turn from the soul's well-being
while I tried to explain myself to myself
the simple earth and sky-searching mountains
were things I never could explain
Flying north and following the Mackenzie
River long after the Scots explorer
endless forest then endless empty land
we seemed to hang between earth and sky
then a monster hand with a hundred fingers
spreading itself over the river delta
and a permafrost town still Canada
the Beaufort Sea beyond
where the world was blue forever

- comes the millennium into our brief lives

I suppose it's like a kid growing up
to see the parts of your own country
like a jigsaw that suddenly comes together
and turns into a complete picture
you've touched nearly all the parts
you've become a certain kind of adult
and the ordinary places become endearments
that slip into your mind and grow there
and you change into what you already are
in a country you can wear like an old overcoat
Joseph's coat of many colours

The millennium really makes little difference
except as a kind of unsubtle reminder of
the puzzle that is yourself and always changing
the country that you wandered like a stranger
but stranger no longer
yourself become undeniable to yourself
wearing the lakes and rivers towns and cities
a country that no man can comprehend
Joseph's coat turned inside out
now indistinguishable from your own innards
- a country that no man may comprehend
asking the same questions as in ages past
time measurable by the tick-tock of millenniums
and if by chance we are not alone
some traveller on another planet
may catch a glimpse of us sometimes
looking outward into the night sky