In 1922 a lone woman arrives in a filthy frontier mining town in the Pacific Northwest. Her goal: to resurrect her dead uncle’s newspaper. Within two days a naked man is shot dead, a famous man is rumoured to be heading their way and the only man capable of fixing her broken-down press so that she might spread this news is a Chinese printer from the nearby forbidden settlement of Lousetown.

Over the next month, Lila Sinclair will take even bigger risks to see her business thrive—from her ques …

Growing up in the 1930s, Adeline Beale knows little of the outside world or the looming shadows of a second world war. Addie-as her grandfather Chauncey Beynon Beale affectionately calls her- believes that everything she could ever want or need is to be found on his cattle ranch, the place her family calls home, or in the little town twelve bush miles away, a place called Sorry. After tragedy strikes her family, Addie holds her sorrows close to her heart. Only later will she learn that her grand …

Growing up in the 1930s, Adeline Beale knows little of the outside world or the looming shadows of a second world war. Addie—as her grandfather Chauncey Beynon Beale affectionately calls her—believes that everything she could ever want or need is to be found on Chauncey’s cattle ranch, the place her family calls home, or in the little town twelve bush miles away, a place called Sorry.

After tragedy strikes her family, Addie holds her sorrows close to her heart. Only later will she learn tha …

He Leaves His Face in the Funeral Car is elegiac, lyrical, ironic; a series of reflections, recollections; a collection about relationships-to family, clocks, water, trees, ungulates, endings-recognizing that not all relationships are straightforward: a mother's secret false teeth, a teakettle riddled with bullet holes, pears and small knives. To leave a face in the funeral car is to fall out of time, to fall into history, to ponder the meanings of dust, the quiet records of suicide. Thisis poet …

An elegy to and celebration of British Columbia's second-longest river, one at the centre of contemporary conversations about resource extraction and northern geographies, Skeena is an assemblage of voices, stories and histories both about the river and from the river's perspective. As a single poetic narrative spanning more than ninety pages, this second collection of poetry by award-winning poet Sarah de Leeuw follows a Canadian tradition of long poems, weaving together poetic rendering of the …

Covering Rough Ground, Kate Braid's first book, was published in 1991 and awarded the Pat Lowther Award for Best Book of Poetry by a Canadian Woman. Since then Kate has written extensively in prose, poetry and on CBC Radio about her and other women's experiences in the construction trades. Her work has been highly praised by women in almost every line of male-dominated work including lawyers, accountants and engineers, and she is in wide demand as a speaker and writer on the subject of women in …

Covering Rough Ground, Kate Braid’s first book, was published in 1991 and awarded the Pat Lowther Award for Best Book of Poetry by a Canadian Woman. Since then Kate has written extensively in prose, poetry and on CBC Radio about her and other women’s experiences in the construction trades. Her work has been highly praised by women in almost every line of male-dominated work including lawyers, accountants and engineers, and she is in wide demand as a speaker and writer on the subject of women …

A political insider offers a revealing perspective and examines the public and private life of BC’s controversial premier.

In the blood-sport arena of provincial politics, BC’s enigmatic premier, Christy Clark, has defied the pundits to win both party leadership and an upset election victory against all odds. Made deputy premier in 2001 shortly after her first foray into public life, she shunned Gordon Campbell’s cabinet solidarity to return to private life in 2004. After a bold run at beco …