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list price: $18.95
edition:Paperback
category: Drama
published: Nov 2016
ISBN:9781772010275
publisher: Talonbooks

False Starts

A Subterfuge of Excellent Wit

by Louis Patrick Leroux, translated by Alexander Rock & Katia Grubisic

tagged: canadian
Description

False Starts presents a series of determining moments between two people stuck reliving the same moment over and over, but in unexpected ways and in different genres (from diary to dramatic dialogue, film script to sound installation). Their interdependence and fundamental inability to say how they feel for one another over twenty years – in spite of their eloquence, in spite of their creativity – constitutes the background of the ongoing spectacle of their relationship.

Made up of a series of short pieces originally published in French as Dialogues fantasques pour causeurs éperdus, this translation by the author and Alexandre St-Laurent with Katia Grubisic, also offers previously unpublished texts. Originally staged for the stage, screen, and elevator at Montreal’s matralab.

About the Authors
Louis Patrick Leroux is an associate professor in both the English and French departments at Concordia University. A playwright and theatre director, he is also a scholar whose academic research focuses on cultural discourse, research-creation, Québec theatre, and contemporary circus. He was playwright in residence at Sudbury’s Théâtre du Nouvel-Ontario (1993–94, 2005–06, and 2006–07), the Leighton Artists’ Studios at the Banff Centre for the Arts in 1994, and the CEAD International playwrights residency in 1999. He founded and managed Ottawa’s Théâtre la Catapulte in the 1990s and has since focused on impossible, improbable, and necessary drama.

Louis Patrick Leroux is an associate professor in both the English and French departments at Concordia University. A playwright and theatre director, he is also a scholar whose academic research focuses on cultural discourse, research-creation, Québec theatre, and contemporary circus. He was playwright in residence at Sudbury’s Théâtre du Nouvel-Ontario (1993–94, 2005–06, and 2006–07), the Leighton Artists’ Studios at the Banff Centre for the Arts in 1994, and the CEAD International playwrights residency in 1999. He founded and managed Ottawa’s Théâtre la Catapulte in the 1990s and has since focused on impossible, improbable, and necessary drama.

Katia Grubisic's poems and short stories, translations, and reviews have appeared in numerous periodicals, including the Globe and Mail, Books in Canada, Arc, the Antigonish Review, the Croatian Reader, CV2, ellipse, the Nashwaak Review, Grain Magazine, and Matrix. She is presently an editor for the New Quarterly and formerly a member of the editorial boards for Qwerty and the Fiddlehead. Her work has been shortlisted for the CBC Literary Awards and the Descant / Winston Collins Prize for poetry. She presently lives in Montreal.
Contributor Notes

Louis Patrick Leroux is an associate professor in both the English and French departments at Concordia University. A playwright and theatre director, he is also a scholar whose academic research focuses on cultural discourse, research-creation, Québec theatre and contemporary circus. He was playwright in residence at Sudbury’s Théâtre du Nouvel-Ontario (1993–94, 2005–06, and 2006–07), the Leighton Artists’ Studios at the Banff Centre for the Arts in 1994, and the CEAD International playwrights residency in 1999. He founded and managed Ottawa’s Théâtre la Catapulte over the 1990s and has since focused on impossible, improbable, necessary drama.

Alexander Rock was born and raised suburban Québec. He lives in Montréal, where he studies at the Université de Montréal. His work has appeared in The Puritan and Matrix and his translation of Hugo Beauchemin-Lechapelle’s "untitled/sans titre" can be found in Tightrope Books' The Best Canadian Poetry in English, 2016. He has also modestly worked as a playwright and dramaturge.

 

 

 

Katia Grubisic is a writer, editor, and translator. Her work has appeared in various Canadian and international publications, and her collection of poems What if red ran out won the Gerald Lampert award for best first book.

Awards
  • Short-listed, Patrick O'Neil Award (Best Collection of Plays), awarded by the Canadian Association for Theatre Research

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